Redefine, Sense, Identify, Write

silence

As a teacher, I often made use of the brief riches to be found in two sources: poems and short documentary films. Preview, prepare writing or discussion (or both) prompts, show, and turn it over to students.

For me, The New York Times’ “Film Club” series was an indispensable source of watch-and-write material. Most often the “write” was a Film Club Journal entry, but other times it was the gateway for an essay or poem or opinion piece.

As an example, consider the possibilities in the 7-minute documentary film called “Sanctuaries of Silence.” It tells the story of Gordon Hempton, an acoustic ecologist (of all things) who goes out with sensitive listening devices and records the sounds of silence.

But hold on there. Let’s redefine first, an always fruitful assignment for students. Don’t let them assume or forever fall back on denotations. For creative purposes, pick an intriguing word and have them redefine.

Hempton redefines silence as the absence of human-made sounds. For him, sounds of the natural world alone don’t count as “noise.” No, noise pollution—that is, the product of the human race—rates as true “noise,” and it’s harder and harder to escape from it (think of planes passing overhead, even in the most remote of locations).

For student writers, going outside and putting their senses on high alert is good practice, whether it is a man-made setting or a natural one. In this case, it is sounds they would focus on and record in notebooks, but certainly it could be sights, smells, tastes, and sensations of touch as well.

Identify? What’s making that sound? If you think the exact source and its name is easy, just try identifying it. Hunting down the source of a noise is not always easy. Even crickets can grow shy when you get close enough, and does your average writer know the difference between a cicada and a katydid, a wood thrush and a yellow warbler? How about an urban setting? Manmade objects have specific names, too.

There’s an exact word for everything, all right, and specific nouns, along with active verbs, are the muscle and bone of good writing, no matter what the genre.

Starting with film or poem or both always makes for excellent writing kindling. Students love them, too, and they don’t eat up a lot of class time, so there’s a lot of educational bang for your instructional buck.

Not a teacher? Be an autodidact. Put that notebook to good use. Redefine, sense, identify, and write!

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